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Michael Hedges/Rhythm, Sonority, Silence, second printing

October 31, 2020 By John Stropes

Michael Hedges/Rhythm, Sonority, Silence, second printing

Reconstructing the digital files for reprinting the book has been a daunting task. Thanks go to Brian Burke for his forensic investigation of data files, and to Ben Kammin who resurrected the original music files and reconstructed the right-hand string-stopping notation. Clay Feller, the graphic designer of the original book, replicated the design. I am grateful that the Hedges family was able to provide photos to replace those which were no longer available. 

We are happy to be working with the Fox Company, a high-end printer, to replicate or advance the original aesthetics. The limited-edition second printing uses Domtar Cougar paper which, while still maintaining its environmental credentials, will be more durable; it is acid-free and archival quality. Although the original cover stock is no longer available, Matt Fox has engineered a beautiful replacement using Neenah Environment Cover.

In the photo, Clay Feller and Matt Fox are deciding paper weight, cover stock, and ink specifications.

Filed Under: News

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Stropes Editions, Ltd.
1132 Lake Ave
Racine, WI 53403
262-994-8710

john@stropes.com

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  • Resources
    • glossary of notational symbols and competencies
    • Titles/Tunings Database
      • Alex de Grassi
      • Andy McKee
      • Ben Woolman
      • Billy McLaughlin
      • Dan Schwartz
      • Justin Roth
      • Leo Kottke
      • Lucas Michailidis
      • Matt Masotti
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      • Michael Hedges
      • Peter Lang
      • Pino Forastiere
      • Ray Kane
      • Sonny Chillingworth
      • Willy Porter
  • Shop
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